Neo-Pro Interview #2
And we’re back! I’ve been letting blogging slide in the interests of finishing a novel (I’m about to mail query packages and would hate to get a full request and have to scramble, so getting this novel done is first priority). But now I have another neo-pro interview for you. Enjoy!

Who are you? What’s your genre/history/etc?
Brad: Brad R. Torgersen, full-time nerd, part-time soldier, and night-time  writer.  I came into science fiction and fantasy through the usual  routes: Star Wars and Star Trek, both on the screen and in  novelizations.  In my early teens I got into techno-thrillers, but  eventually drifted over to original fantasy in the form of David Eddings  and Stephen R. Donaldson, as well as original science fiction like the  “Sten” books from Allan Cole and Chris Bunch.  Ultimately, I read Larry  Niven’s two omnibus volumes, “N-Space” and, “Playgrounds of the Mind,”  at which point my whole fan paradigm got rickrolled.  I came up for air  and said, “I want to be like Larry Niven!!”  That was in 1992.
What’s your Race score?
Brad: My Race score tends to hover in the teens, with occasional spikes into  the 20s.  My goal is to try and drive it up into the “pro-zone” that  Dean Wesley Smith talks about: 80 points or higher, but it’s possible I  may sell too often to get it that high or keep it there.  Especially in  the new universe of electronic self-publishing.  I liked your article  you did on that with Amanda McCarter by the way.
When did you “get serious” about being a writer?
Brad: I got “serious” in 1992… the first time.  I’ve gotten “serious”  several times since.  The best and most recent period of “serious” began  in 2007 when I went back to work on my short fiction and begin to  deliberately attempt winning Writers of the Future.  There were many  stops and starts between 1992 and 2007, and if I had to advise anyone,  I’d advise them to not be so herky-jerky about their effort, the way I  was.
 
What are your goals with your writing?
Brad: To pay off my house, put at least $500,000 in the bank, and quit my day  job.  In that order.  That might sound rather mercenary, but the truth  is, part of what made me get “serious” in 1992 was that I realized Niven  was getting paid to do what I’d been doing for free on the dial-up  bulletin boards for a couple of years already: write science fiction  (and occasionally fantasy) stories and books.  Once I decided that  merely writing for fun was not enough, I switched over to looking at it  like a business prospect.  Now that I am selling, the business aspect is  very front-and-center for me, beyond simply finishing books or stories.
Where do you see your career in 5 years?
Brad: It’s tough to say because there is no single road to anywhere in this  racket.  Just because I’d like a thing to be true by 2016 doesn’t mean  it will be.  However, if past paths of Writers of the Future winners are  any indicator, if I bust my tail and get numerous manuscripts written,  in five years I should probably have some novels sold and/or published,  additional short fiction sold and published, and be generally working as  a new “mid-list” man in the genre.  Not a bad place to be.  Going  beyond mid-list is almost entirely up to the market and audience taste.   No way for me to guess how that may shake out.  I could crash and burn,  or wind up on the New York Times list.  Or maybe be an e-publishing  breakout success?  It would be nice, but I can’t count any of those  chickens yet.  I don’t even have the eggs!
 
Do you have a particular story or idea you are dying to write? Or, if you could write a tie-in to any established universe/franchise, what would it be?
Brad: Back in 1992 I daydreamed of writing a 5-book supernovel series in the  Star Trek universe, detailing the exploits of Captain Sulu and Captain  Chekov.  I’d written numerous chapters on a fanfiction along these  lines.  Now?  Now, I’d love to dabble in Larry Niven’s universe via the  Man-Kzin Wars, with Baen.  And I am currently collaborating with  award-winner Mike Resnick, which is a whole unexpected but very welcome  bit of fun.  As for original projects, I would very much like to write  an original science fiction series with the audience penetration of  “Ender’s Game” and those books, or perhaps a rigorous military fantasy  series.  My imagination goes all over the place and I know I can’t write  it all.  I just have to hope one of these projects, somewhere, connects  with enough people to earn me a following and (hopefully) a decent  amount of money.
What are your hobbies outside writing?
Brad: Hobbies? I have given up many of them over the years, to be a Dad and to get “serious” about writing. Now and then I find a video game I like, though I haven’t played anything more modern than the TRON 2.0 game (from 2004) or the MECHWARRIOR game from before that. Once upon a time I used to scratchbuild starship models from paper, glue and cardboard. That was a lot of fun. Again, just can’t seem to find the time for it these days. Maybe when I am a big famous published author guy? But then, Kevin J. Anderson doesn’t seem to have time for hobbies either. He he he.
*(Nobu sez: squee moment… Mechwarrior 4 is one of my all-time favorite games!)
What’s your writing process like?
Brad: I am still trying to form a process, actually.  Left to my own devices I  am a “burst” person, with periods of intense writing and then long  troughs with little or no writing.  This is my “hobbyist” writing habit  on full display.  Currently I am trying to teach myself to put down  words every single day, whether I want to or not.  I’ve arranged my  schedule so that every night come hell or high water, I am doing one  hour before bed.  Whatever words I can cram onto the page.  It’s not the  most inspired way to go about it, but in truth, the stuff I write when  not inspired and the stuff I write when totally inspired winds up  reading more or less the same.  Hat tip to Dean Smith on that truth, as  you well know.
 
What’s been toughest about your journey so far as a writer? How do you keep yourself going?
Brad: The toughest part has been ignoring the odds and the self-doubt.  The  odds are terrible.  Just awful.  Anyone coming into commercial fiction  because they think the odds are good is fooling themselves.  The odds  are putrid.  Which is a big reason it’s always tough for me to keep my  wordcount and morale up, even after breaking in.  Having climbed one  “mountain” there is a whole Himalayan range ahead of me.  Do I really  want to keep doing this??  Surely there are better and/or less crazy  ways to make good money and have fun.  But I long ago consigned myself  to this goal: of becoming a successful, well-paid science fiction and  fantasy writer.  It’s been my deepest, most sought-after dream for  almost 20 years.  Turning away or giving up is simply not an option for  me.  So I slog on.  Not because I am especially inspired, but because I  feel like if I quit now, I will be failing myself and my family, and I  simply can’t do that.
Any tips or tricks you’ve figured out for improving your writing?
Brad:  Best “trick” I can offer anyone is to just read frequently, and perk up  when you see something you like.  Doesn’t matter if you think it’s what  will sell.  Ignore that impulse.  When you read a story or a book, and  you say to yourself, wow, I really, really liked that, PAY ATTENTION!   Try to figure out what it was in the story or book that hit your  “cookies” and made you like it.  Examine these things and try to figure  out how to apply them to your own stories.  My novelette “Outbound” in  the November 2010 issue of Analog Science Fiction & Fact was like  that.  I’d read a wonderful novelette called, “Arkfall” by Carolyn Ives  Gilman, and I really sat up and tried to figure out what in that story  worked so well for me.  When I sat down and did “Outbound” I had  “Arkfall” kind of simmering in the back of my brain, as both template  and inspiration.  Both stories are very different in specifics, but I  think they have strong, shared themes.  I think new writers could do  well to examine their favorite work by their favorite authors, and  without copying per se, try to pick apart what it is those authors are  doing — the size and scale of the stories, the emotional impact, the  types of conflict — and bring some of that to their own work.
And finally, got anything you want to pimp?
Brad: If I can pimp anything it would be my on-line project the Emancipated Worlds Saga. It’s a big space-opera war story that I’ll be doing all year, with an eye towards consolidation and e-publication to the Kindle and other platforms by the end of 2011. (Here’s a link to the Prologue)
Thanks for the interview Annie! This was a lot of fun!!
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Thank you to Brad! You can follow him at his blog: http://bradrtorgersen.wordpress.com/
