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Posts Tagged ‘conventions’

Orycon 2012 Panel Schedule

I have my probably final but no promises panel schedule for Orycon 2012.

 

Theme
Ross Island          Fri Nov 2 2:00pm-3:00pm
What is theme?  How do you develop theme in your writing, or should you
even try?  For the sake of future graduate students studying your
brilliant prose, learn about this often-neglected aspect of
storytelling.
(*)Richard A. Lovett, Annie Bellet, Aimee C. Amodio, Wendy N.
Wagner

Writing with all your senses
Lincoln              Fri Nov 2 4:00pm-5:00pm
Writers are always reminded to write with all their senses.  But how far
should they go?  And what about altered senses?  What about characters
that are blind, or in constant pain, or have numbed senses, deafness, or
other disabilities?  Are constant reminders necessary?  What writers can
take for granted, and what they should use to enrich their writing.
(*)Annie Bellet, K.C. Ball, Adrian Phoenix

I Forgot to Get A Real Job
Roosevelt            Sat Nov 3 12:00pm-1:00pm
How to stay alive while waiting to be published
Edward Morris, (*)Nisi Shawl, Annie Bellet, Bill Johnson

How a writer’s workshop affected my life
Hamilton             Sat Nov 3 5:00pm-6:00pm
The pros and cons of attending writer’s workshops. Can attendees be
productive and have fun at the same time or it is all work and no play? Do
online workshops count?  What about workshops that break writers?
Annie Bellet, John C. Bunnell, Grá Linnaea, Edward Muller, Edd Vick

Geeks v nerds v freaks
Madison              Sun Nov 4 12:00pm-1:00pm
To which do you aspire?  What are the differences and similarities, and to
what proportion are they found?  What function (or anti-function?) do we,
er, they, serve?
Annie Bellet, Joyce Reynolds-Ward, (*)Janet Freeman, Anthony Pryor

First Term and Future Plans

Heh, wordpress looks strange again. Grr.

Anyway, I survived first term of graduate school.  It was underwhelming.  Hopefully next term will go better.

I’ve decided to attend a couple of cons (specifically geared towards spec fic/writing/etc…).  The deadline for the workshops for the first con I’m going to is the 14th of this month, so I’d better get my ass in gear.  I think I’ll send them Bladebearer because it’s a complex little story and has some weird problems I could use perspective on.  You can send two pieces, so I’m tempted to send in the first 3 chapters of Casimir Hypogean.  I still hate that novel, but maybe feedback on it would somehow make the path clearer.  Or at least give me a few better ideas of what is going so wrong with the whole thing.  I’d have to write up a synopsis, however, which could prove problematic since I’ve never written one.  It’d be a learning experience.  Well, we’ll see how far I get this week.  Otherwise I’ll send Monsters as my second piece.

The second con is World Con, which is in Montreal this year.  I’ve always wanted to go to Montreal, and I think Chwedl will be in at least polished draft form by then and (cross fingers?) ready for agent hunting, so it’ll give me something to really peddle around at the con.  Plus the panels should be informative and I’ll get to vote for the Hugo winners.  Which means my summer will be full of reading the nominated books, never a bad thing.

I’m also, this month, polishing Space Bones and Delilah for my application to Clarion West.  I’m terrified I won’t get in and I’m terrified I will.  It’s like a perfect lose lose situation.  But really, I want to go.  I think it would be fantastic and horrifying and awesome all at once.  Besides, then I could stalk EBear in person (note, this is a joke, unless you consider reading someone’s lj stalking…).  I’m just jealous that she has a cat. Seriously.  Stupid renting with no pets rule.    Moving on…  I think that the two aforementioned stories have the best shot of showing how I write.  They’re  also now the most polished of my spec lit pieces and Delilah is still one of my favorite things I’ve written ever.  It might be a risk considering the very Christian overtones and the linear inevitability of the plot, but I hope that the characters and stylistic tones will override that and punish the reader with its awesomeness.  Seriously, I like that story.  And Space Bones has grown on me.  I wrote it mostly for the title at first, but after about four drafts I finally feel a connection to what is going on in the story and to the characters.  Hopefully this will all translate into the Clarion peeps thinking I’m whatever they’re looking for.

By the end of December I hope to have the draft of Chwedl complete.  Then comes the editing and pain, but I already see things I can do to help it along.  This novel, to repeat myself, is nothing like Casimir Hypogean.  It’s such a breeze to write and the language flows nicely instead of feeling forced and choppy as all hell.  I wonder if I haven’t written the world of Casimir Hypogean too bleak, its characters too unsympathetic.  After all, why should a reader care about chars who hardly care about themselves?  It’s a strange dilemna.  More reason probably for why I should edit up those first 3 chapters of the rewrite and send them off for critique.  Maybe the novel is dead and I’m still pining for a ghost of a thing that shouldn’t be.  It’s hard to tell such from my close perspective.