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Posts Tagged ‘writing ideas’

My Idea System

In the comments on the last post (about 2011 goals), one of the comments asked about my system for keeping track of ideas.  I do, in fact, have a system, though like most systems that have organically grown over the course of time, it doesn’t necessarily make a ton of sense.  I figured I could do a post on it, but I’ll add some visual aids just for fun and try to describe how the parts I couldn’t figure out how to get visuals for work.

So let’s follow an idea from inception to finished product/submission through my recording system.  The first thing that usually happens is a character or bit of story or a line or two pops into my head.  From there I let it sit.  If, after a couple days (or when the idea is super insistent), I still have it in my head, then I write it down in a notebook.  Yes, a good old paper notebook.  I use Moleskine Cahier notebooks because I love the way they feel and how well they hold up.  This is probably a hold-over from when I used to write every story by hand (something I did up until a few years ago when I tried to write a novel by hand and pretty much said fuck that).

If the idea has a title, I use the title to list it (each idea gets a fresh page).  If it doesn’t yet I just pick out a couple key words.  This is the beginning for both short stories and novels.  If I know that the idea is probably going to be a novel idea, I make a note of that on the page.  I have multiple notebooks for ideas.  In the past I was just sort of filling them up as I had the ideas, but for next year I’ve actually gone and separated out a notebook for novellas, one for short fiction, and one for novel ideas.  I’m not sure how long that level of organization will last since sometimes I don’t know if an idea is a novel or just a short one at the start (they tend to seem like they’ll be short, but then grow and get more complex).

From there the ideas sit until I’m ready to start on them.  At that point they have different fates.  Novel ideas get their own sections of a different notebook.  I give you exhibit A:

These are a few of my novel project notebooks.  Some of these novels have been written or are in various stages of writing (There’s actually a notebook without tabs in there, but it’s dedicated to a trilogy, so I didn’t tab it yet since I know which one it is, so this picture represents 11 novels and 4 short novels).  Inside these notebooks I outline, keep track of character descriptions and place names, and do all the little nitty note taking that I feel is necessary to keep track of the world for each of my novels.  I imagine that when I start actually writing multiple series books that I’ll gravitate toward having a single notebook for each series with my handy tabs dividing by book, but for now this system allows me to easily flip to whichever project I want to work on and to see which notebooks hold which novel at a glance.  I find this simpler than trying to use electronic notes, though I appreciate that if anything ever happened to my home (fire, flood, really bored thieves), that this system could fall apart.  At least I back up all the actual writing electronically in multiple places.

So that’s what the novel notebooks look like.  For short stories I just find the title/tag line of the story I want to work on (if I’m in a short story writing mood I generally flip through until I find something I want to write), and then I just continue with story notes and character descriptions and all the things I need to keep track there.  Which, once a story is done, generally leaves me with a couple of pages that look like this:

If you can read my handwriting at the top of the right page there, you’ll see that this story was originally tagged as “Race to Pluto” but then got its actual title “The Light of the Earth, as Seen from Tartarus” once I’d started working on it more.  (This story has already been through Writers of the Future, so I’m using it since I don’t have to worry about anonymity anymore).  I generally write short stories over the course of a single day, sometimes two (this one took two, but it’s 13,300 words long).  I don’t often outline short stories, but as you can see from the left page above, I did a rough time line because the timing in this story was important (And yes, I do have the crazy handwriting of a serial killer, but *I* can read it, usually).  Sometimes though I’ll be adding notes and ideas to a page for weeks before I get working on a story.  It all depends how long the story needs to percolate in my brain.

The next step is once I’ve decided to work on a story or novel.  I go into my writing folder and then into the relevant folder (Short Stories or Novels or Novellas).  Then I make a folder with the title of the story or novel.  Then I open a word document and label it as a rough draft (usually titleRD.doc) and go to work.    Recently I’ve expanded this system a little.  I don’t normally start short stories and then not finish them, but back in October I was working on hooks and beginnings, so I picked out a bunch of short story ideas from my notebooks and went to the next step without finishing.  So in my short stories folder I have a folder called AAAbeginnings (the three a’s are so it will sit at the top of my alphabetized sorted list).  In there I keep the folders of stories that aren’t done (I have quite a few at the moment thanks to that exercise). Once I finish a story out of that folder, it gets moved to the regular section.

I also have a few pages in one of my notebooks that is all titles.  Pages and pages of titles that don’t have an idea attached.  Last year I decided I was pretty terrible with titles and wanted to practice coming up with them.  So I tried a few different methods (ranging from putting random words together to using random title generators on the internet) and wrote down all the ones I liked.  So sometimes if I have a story idea I’ll scan those pages of titles and see if any fit or can be altered to fit.

Anyway, that’s how my system, such as it is, works.  I have tons and tons of ideas, more than I will ever likely be able to complete.   And more come in each day (I think I have about 15 notebooks in various stages of full at this point).  It’s one of the main reasons I’d like to be faster and more consistent, because then I’d get a lot more of these ideas developed and out to markets.  So hopefully this post helps show how the hell I keep track of all this.  I imagine my system will keep evolving to suit my needs and career, but for now it works for me.

A Bit More About Process

I’m not a seat of the pants kind of writer, even when it comes to short stories.  Now, mind you, I don’t outline for short stories (though I might jot down notes or lines that come to me).  I definitely know where something is going when I sit down to write it.  I do change my mind and write something else to make things make more sense when I have to.  I imagine, however, that anyone watching my short story writing process would think I’m doing it on the fly.

This is because I write short stories in one or two sittings and hardly ever have notes (I usually do research as it comes up, thank you Google).

My short stories don’t start on the page.  They start in my head and sometimes have a very long gestation period.  Novels are the same way, though I tend to write up more notes when thinking about novels due to the sheer amount of stuff going on in my head when it comes to bigger projects.

First, there’s the spark.  Whatever set off my mind with a “hey, this could be a good story”.  From the spark I start to think about what it needs to fill it out, to bring it from cool character/idea/image/line of dialog etc… into being a full story/populated world.  From there I decide if the idea is going to need a novel length to fill it out (ignoring here, for the moment, that one of the most common coments I get on my short stories is “hey, this would make an awesome novel” sigh) or if I can turn it into something shorter.  Frankly, I prefer short stories because I like to just sit down and finish things.  Also, rewriting fifteen pages is far easier than rewriting 300.

But my point is that I spend a great deal of time thinking about everything before it ever sees the page.  I run through potential scenes, characters, what would or would not work in the particular world I’m inventing and why, and other useful questions like that.  I sometimes even start composing in my head and run through different POVs and tenses to feel where I want to start a story.

And then there are the times that I call my version of Writer’s Block.  I never run out of ideas, ever.  However, I occasionally get stalled out because my brain won’t stop with the thinking and focus on something long enough for me to just write something.  It’s why I haven’t been sleeping lately, and why I’ve done nothing but revise things for a few weeks now.  Too many bloody ideas.

So I’m going to have to force-march my brain for now, I think.  No starting or thinking about anything new before I’ve finished the following:

Sparks (fantasy short story), Prince Called Courage (fantasy novella), final edit of Monsters (fantasy short story), two thesis short stories (prewriting for my thesis novel), Chwedl draft (fantasy novel) and the rewrite of Casimir Hypogean (science fiction thriller novel).  The ambitious part of me says I can totally do this by September.  Suuure.

I’m going to do the short stories first, mainly becaues that means I’ll have eight or nine short stories out making the submission rounds while I hunker down to finish the novels.  I want to be done with this all by September since starting my thesis novel early wouldn’t be a bad idea.  Fortunately, ideas are imploding my brains but good when it comes to that novel, so at least it won’t be stalled due to lack of my head working on it.  Which is different from Casimir Hypogean, the bane of my existence.  I’m going to look at it as a learning experience and force myself to finish the rewrite.  If I never touch it again after that, so be it, but I’ve come too far to give up now.  It’ll take about 6-7 weeks of hard work to complete at this point.  I can do it.

Quickies (1)

I have an adviser.  This is both a good and a bad thing.  The good is that I have an adviser.  The bad is that his area of specialty is in 19th/20th century American Lit.  Which I generally hate with a burning unreasonable (or entirely reasonable if you’re me) passion.  So, um, I’m doomed.  Though if I write War Witches for my thesis project, he might like it if he gets past the, you know, magic part.  After all, it is about 19th C. America.   Just, better.

Other than that, I’ve been swamped by work.  Sigh.  But I’m slowly doing at least somewhat writing related things like editing and idea generation.  I also have yet another idea for a yet another novel.  It is going to take a couple lifetimes at this rate just to get this stuff into draft form, much less completed.

I think I can. I think I can.  I think I can.

Too Many Ideas?

I’m in the middle of a discussion with a friend about being trapped with too many ideas. I have four or five (or six if you count the sequel to one of those) good ideas all outlined and ready to go. I want to write all of them. Right Now. Of course, I don’t have the time or even the multitasking ability to pull that off. I might be able to work on two, maybe. I think the writing might suffer, however.

So what should I do? How do I pick which to work on? I’m inclined towards the Dangerous novel since some interest was garnered from that novel by a major publishing houses’ editor. However, the others are speaking to me as well. I find myself daydreaming entire scenes and character exchanges for the Werewolves in Space novel, or literally dreaming about the quest part of the Welsh fairy tale novel. I watch Handscio and Brynna train together and fight in my head, watch her change from a sickly, overweight selfpitying teen into a resourceful and powerful young fey. I dream of dragons and flying and know that I am Jax from Werewolves in Space, dreaming of the same things. And I see Radiant from Bladebearer raising his new sister and new tribe as they form new songs and evade hunters while his other sister seeks both him and the sword. (Stupid short story that wants to be a novel, sigh). I see also a slave, a holy man, escaping and being rescued during the American Civil War by twin witches in Appalachia. I can feel the mists that they call to confuse the soldiers and lead them away from their lands, I can hear the axe as it goes into the threshold cutting the pain of a childbirth.

They are all there, my stories. Waiting, wanting out, begging exploration.

How to choose? What to write? I have an embarrassment of riches. Where do I begin?