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Posts Tagged ‘short story’

New Science Fiction and Fantasy Collection

I have just released a new science fiction and fantasy collection. It contains ten short stories.  Some of these have appeared in anthologies, but the majority of the collection are brand new, never before seen stories.

If you want to pick it up, here are the links:

Get it on Amazon here: http://www.amazon.com/dp/B00OHO8JNA/

Buy-from-Barnes-and-Noble Kobo-Buy-Button2 SmashWords_Button

Meanwhile, I’m working like crazy on a new series I’m really excited about. The first two books will be out in July. Now, back to writing!

 

The End is Nigh Arrives!

I have a story in a totally awesome anthology edited by J.J. Adams and Hugh HoweyThis is the first of a triptych of post-apocalypse anthologies.

My story was singled out in a recent review of the anthology on Wired.com, here’s an excerpt:

“Some stories hit with more force than others. “Goodnight Moon,” by Annie Bellet — a relatively quiet story about a group of astronauts saying their goodbyes and awaiting the end from their base on the moon — is both my favorite of the anthology and the one that wrecked me most thoroughly.”

Read the full review (and one of the stories free!) on Wired.com.

This anthology is chock full of amazing stories by award-winning and bestselling writers.  Here’s the table of contents:

Introduction by John Joseph Adams | “The Balm and the Wound” by Robin Wasserman | “Heaven is a Place on Planet X” by Desirina Boskovich | “Break! Break! Break!” by Charlie Jane Anders | “The Gods Will Not Be Chained” by Ken Liu | “Wedding Day” by Jake Kerr | “Removal Order” by Tananarive Due | “System Reset” by Tobias S. Buckell | “This Unkempt World is Falling to Pieces” by Jamie Ford | “BRING HER TO ME” by Ben H. Winters | “In the Air” by Hugh Howey | “Goodnight Moon” by Annie Bellet | “Dancing with Death in the Land of Nod” by Will McIntosh | “Houses Without Air” by Megan Arkenberg | “The Fifth Day of Deer Camp” by Scott Sigler | “Enjoy the Moment” by Jack McDevitt | “Pretty Soon the Four Horsemen are Going to Come Riding Through” by Nancy Kress | “Spores” by Seanan McGuire | “She’s Got a Ticket to Ride” by Jonathan Maberry | “Agent Unknown” by David Wellington | “Enlightenment” by Matthew Mather | “Shooting the Apocalypse” by Paolo Bacigalupi | “Love Perverts” by Sarah Langan.

If you love great SF, and especially stories about the end of the world, pick this up.  Thanks!

Book Signing, Anthology Sales, and More!

 

First, I am pleased to announce that I have a story in Fiction River #5: Hex in the City, which comes out today.  It is available at Amazon in both Paperback and Kindle, as well as on other sites like B&N and Kobo as ebooks.  There are a ton of great authors in this, including Jay Lake, Nancy Holder, Annie Reed, and others.

 

Next, I have a story coming out in an anthology though Baen next year.  The anthology is a military fantasy one, titled Shattered Shields and edited by Jennifer Brozek and Bryan Thomas Schmidt. Here are the details and table of contents:

Ashes and Starlight (Runelords) by David Farland

The Fixed Stars (October Daye) by Seanan McGuire

The Keeper of Names by Larry Corriea

The Smaller We Are by John Helfers

Invictus by Annie Bellet

Rising Above by Sarah A. Hoyt

A Cup of Wisdom by Joseph Zieja

Words of Power by Wendy N. Wagner

Lightweaver in Shadow by Gray Rinehart

Hoofsore and Weary by Cat Rambo

Vengeance (Frost) by Robin Wayne Bailey

Deadfall by Nancy Fulda

Yael of the Strings by John R. Fultz

The Gleaners by Dave Gross

Bonded Men by James L. Sutter

Bone Candy (Black Company) by Glen Cook

First Blood (Paksenarrion) by Elizabeth Moon

And finally, I’ll be signing books in Vancouver, WA at Vintage Books (6613 E. Mill Plain Blvd. Vancouver, WA 98661) on December 21st at 1pm.  I’ll be there with other authors and it should be an awesome time. Please come by if you are in the area!

New Cover and Sale!

I sold an SF novelette to GiGaNotoSaurus, it’ll be appearing in June.

I also got the cover for the second Lorian Archive book.  The trilogy won’t be published for a little while longer (but should all be out this year, barring life catastrophe, knock on wood).

Have some shiny:

(Cover done by the awesome Tom Edwards)

New Stuffs and a Sale

I am pleased to announce that I have sold a short story titled “Nevermind the Bollocks” to the new monthly anthology series Digital Science Fiction.  The story should be out in their second installment, so sometime this summer I think.  This is my fourth pro-rate sale and, counting reprints, my seventh overall sale in the two and a half years I’ve been doing this.  I hope this is a sign that between the books I’ve been studying, the workshops I’ve been doing, and the writing practice itself, that I’m still growing and improving.

I also have finally posted a collection of fantasy short fiction, which is will be available soon on Kindle and Nook and is already through the new, streamlined Smashwords grinder.

Here’s the cover:

It includes eight of my fantasy stories.  More information can be found by clicking on the picture or you can get it directly from Smashwords by going here.

As for writing, well, I’m doing better. The novel is literally one working session away from done.  I’m dropping my better half off at the airport today and then I’ll have almost three full days to get work done with zero social distractions.  My top priority is to finish the novel and then finish the story I owe for the Mirror Shards anthology.  Then it’s on to outlining the sequel to A Heart in Sun & Shadow and getting some other short fiction done as a warm-up to Clarion.

Speaking of Clarion, I’m starting to get excited and nervous about it.  As we get ever closer to the start date and things begin to get sorted out like travel plans and housing, it feels more and more like this isn’t something abstract.  And hey, at this point I don’t think I got in on an administrative mistake, since no one has corrected it yet.  My Kickstarter project has only five days left, but it is pretty close to getting funded (only a few hundred left!) so I’m hopeful that the money will come through.  The outpouring of both financial and emotional support by my friends and my fellow writers has really touched me.  I thank all of you and I’m going to work my ass off at Clarion to make sure I don’t waste this opportunity.

So that’s what is going on with me.  Lots of work, not a whole lot of blogging, sorry.  I’ll do my usual monthly round-up next Tuesday (e-book sales have been pretty good to me this month, yay).

Story Available

My story, “No Spaceships Go” is now up for free reading at Daily Science Fiction.  Go and enjoy (and enjoy their growing library of other great stories spanning all the speculative fiction genres).

This week I’ll be pretty much no online.  I’m doing a novel in a week challenge and am devoting 90% of my time to writing.  But I’ll be back with the new year!  Time to get some last minute work done.

Okay, Let’s Do Math

This’ll likely be part 1 of this post, with more math and data to come later as I collect more.

Since multiple people have asked, both here in the comments and privately, I’ll show my numbers, so to speak.

I have two, yes just two, short stories up on Kindle/Smashwords etc.  They are literary fiction and available for .99 cents. I put them up mostly to practice the formatting.  A friend did my covers, which I think are beautiful.  If you want to see the covers or check out the stories, follow this link.

First question people often wonder with self-publishing things is how do you know it’s any good.  Well, I don’t.  Good is fairly subjective because some people might like that kind of story, some might not.  I do have some faith the writing in these stories is up to par because these are the two stories I used to get myself into an MFA program, so they can’t be bad on a writing level.   But in the end, you never know.  I would use the rough rule that if you have sold some fiction at pro or decent semi-pro rates and zines, if your submissions get more personal rejections than form letters, etc… as the measure for writing publishable/saleable fiction.  And hey, not everyone will like what you write.  Oh well.  If you have readable writing, a decent grasp of story, a good cover, and a decent description/blurb, I don’t think you’ll suffer much in the e-pub market, from my experience.

So… to the math.

I’ve made about 8-9 dollars total over about 3 months with my stories (counting the one I had to take down because I accidentally sold it).  This works out to each story averaging 1.16 per month for the two up now.  One sells better (slightly) than the other, but it’s longer and the content less violent, so that doesn’t surprise me too much.  I’ve also sold a few copies on Amazon UK netting me another 1.05.

Seems like nothing, doesn’t it?  My two semi-pro sales this year got me 30 or so, my pro sale will be a heck of a lot more whenever it comes out (paid on publication for that one).  But let’s look at the longer game here.

1.16 a month average per story (this will be my minimum, because this is the real number I’m getting now).  I have two stories out.  My goal is to write 40 short stories a year.  (I’m at 21 this year, but I’ll catch up to near 40 by Jan, no worries).  Give each story a year to two years to get through the pro/semi-pro markets on my list, so we’ll say that I get 20 stories up a year on average as the stories either sell (3 months average wait to get rights back) or sunset due to rejections/time.

So next year (we’ll call it year one) I might have 22 short stories e-pubbed by the end of the year (we’ll ignore putting together collections for the moment).  At 1.16 a month each, that’s 25.52 dollars a month.  Which would pay for my comic book habit, no problem.

Year two, another 20.  But the first 20 have been earning as well, so now it’s 42 stories.  That’s 48.72 a month.  Or, another way to look at it, 584.64 a year.  Sweet! I’m now (hypothetically, based on real numbers so far, of course) earning almost 600 a year extra for work I did years ago that I’ve also hopefully earned something on by selling to magazines.

Year three, another 20.  So now we’re at 62 stories up online, each earning 1.16 a month.  71.92 a month.  863.04 a year.  Anyway… you can see the progression.  That trickle? It adds up.  Not fast, but it builds and it sure as hell earns more than a story you’ve sold/didn’t sell/whatever would sitting on your hard drive.

Now, imagine if I wrote a story a week instead of just 40 a year (Bradbury does this, as do other pros).  52 stories a year.  If I said screw it to trying to sell to magazines, I could put up 52 stories a year.  That’s 60.32 a month, or 723.84 a year, the first year.  Second year- 1,447.68.  It just keeps going.  But the really fun numbers are when you start to look at the total ten year earnings.  So let’s do that.

On the 20 stories posted a year plan, after ten years I’d be earning about 2,800 a year in that tenth year from short stories.  But over the course of those ten years, I’d have earned almost 14,500 from those stories total.  Not that bad, especially when you think about it as work you did years and years ago, earning you thousands of dollars in a nice little trickle for you doing NOTHING.  (And it is potentially all bonus money on top of any you made selling the story in the first place, because again, balance is key).

On the 52 short stories posted a year plan, the numbers, of course, look even sweeter in the long term.  In that tenth year you’d earn about 7,240 from your short story inventory.  Over the course of the whole ten years? You’d have earned about 37,000 from those short stories total.  Again, not horrible.

This only works, of course, if you keep writing and learning and producing work.  And I fully believe that if it takes you months to write a short story, this plan and method won’t work as well (though the trickle can still happen, and still build even at a pace like that).

Of course, if you want the math to get very insane, start making collections with those stories.  At the end of plan 1 (20 posted a year), that’s enough for thirteen solid collections that you could sell at 2.99 or even 4.99 (12-15 stories each is pretty good, depending on story length).   Thirteen 4.99 collections, selling just three copies a month each at 70% royalty rates (I don’t have real data for collections yet, of course, so this is now hypothetical time) would earn an extra 1,635 a year.  For practically no extra work (after all, you have the stories already written and formatted, you just put them together.  I’m guessing this would take at most an hour or two, plus time for a cover if you are doing your own).

I’m editing this to add the numbers for if you do collections off ten years of accruing 52 stories a year.  This works out to about thirty five collections (12-15 stories per).  Thirty five collections at 4.99 earning 70% royalties selling three copies a month each works out to about 4,400 a year.  Again, for work you’ve already written, are already earning from (as separate short stories), and have to expend minimal effort on one more time to get into a collection.

Add it up.  After ten years at the 20 story pace, you’re earning 4,435 a year off collections and shorts (370 a month) (and you will go on earning that on top of the 14,000+ you’ve already earned over the last decade).  After ten years at the 52 story pace, you’re earning 11,600 a year off collections and shorts together (970 a month) and again, on top of the 37,000+ you’ve earned already over the last decade (see how it builds?).

So there you go.  Some math, based on what I’m seeing over the last three months from my own very very limited experience.  And I’m a no-name author.  I’ve sold 3 short stories this year traditionally, but under a different name (Annie Bellet, my spec fic name) and in a different genre than the two posted online.  I doubt I have any sort of platform or following at this point.

These are just my numbers and my take on things.  I have no idea how well my e-pub novels will sell.  That’s why I’m writing them (well, and the idea is kick-ass and will be a bucket of fun to write).  I’m curious how this process and the numbers will stack up for a writer who is at this point pretty unknown.  I’m going to do everything I can, of course, to make sure I fulfill the four principals hypothesized by Konrath and others about what makes an ebook sell (write a good book, low price point, good/professional cover, good blurb).

I intend to be open about my numbers when the time comes.  I am very grateful to authors who have trod this path before me and put up their experiences and numbers, and I intend to pay that forward with my own data.

So, hopefully, this post answers some questions.  Now, I’m going to write another short story, because without the work, these numbers mean nothing 🙂

*I did very rough math here.  If I’ve made a mistake (I’m dyslexic, especially with numbers), I apologize.  I triple checked, so hopefully I haven’t totally gone astray with my maths.

Clarion Musings

So, first… my sale. I have sold “No Spaceships Go” to Daily SF, a brand new magazine that will apparently start publishing later this summer/fall. So go subscribe now, because besides my story, it looks like they have lined up some top authors (including fellow PDX writer and Hugo winner David D. Levine).  I’m pretty excited.  More details whenever I get them.

Also, in other internet news, both Clarion and Clarion West have posted instructor lists for 2011.  And wow, they are impressive (okay, when aren’t they? seriously. Sigh).  Clarion list is here.  Clarion West list is here.

As always, I kinda want to go to Clarion (either Clarion) because writing with both my potential classmates and under the tutelage of professionals such as those listed above would be freaking awesome.  I’ve only applied once to Clarion West, and was form rejected.  Which doesn’t shock me, it was my first submission to anywhere, ever. (Feb 4th 2009, for those of us ie me keeping track).  And frankly, I mostly applied because I really wanted to meet Elizabeth Bear whose work and work ethic I super admire.  Probably good I didn’t get in, since I don’t know how I would have survived.

I almost applied to Clarion last year, but decided I couldn’t afford it and took a couple of Dean Wesley Smith’s workshops instead (which, for the sake of honesty, I almost didn’t get in to.  While there’s no formal audition like for the Clarions, Dean isn’t a guy who pulls his punches and if he thinks someone isn’t ready, he’ll say so.  I’m not sure I was ready, but I am grateful. *grin*).  And between discovering those workshops, reading Dean’s motivation posts (and Kristine Rusch’s posts on freelancing), and deciding to truly follow Heinlein’s Rules for Writers, I pretty much completely revolutionized how I was going about getting to my goal of making a living at writing fiction.

So… Clarions.  Should I apply? On the one hand, I imagine I’d have a blast and learn a ton.  On the other, can I get in? Or afford to go if I did? And, strangely enough, can I afford to take 6 weeks out of my writing schedule to focus on workshop stuffs?  I know they write a story a week at the workshops, but frankly, for me, that’s really not an issue, even with additional work like reading on top of it I’m pretty sure I could keep that pace without blinking.  But could I keep up my novel/novella/shorts schedule during Clarion/CW if I got in?

I don’t know. I don’t actually write nearly as well, especially on longer works, when I don’t have the comfort and stability of my home schedule and daily routines.  I can make myself get some work done, but not with the focus I have at home.  And I’m sure that between hanging out with fellow writers, doing the workshop stuffs, and the various functions and parties etc… I’d be pretty socially drained and low energy, which is not a productive state for me.

So if a) I did get in and b) could afford to go, then the question I’d have to consider would be is it worth losing potentially an entire novel’s worth of writing production?  I realize I’d come out of the workshop with six short stories, though as to publishable state I can’t say.  I hope that if I went I’d be really pushing myself in terms of how I’m writing and what I’m writing about, which might render whatever I write as a do-over, but workshops should be about risk in my opinion.  No point going to learn something and not really pushing yourself to stretch out of comfort zones.

So yeah, that’s basically what’s going on in my head now.  The line-ups for teachers looks very awesome, but between money and time lost, I just don’t know if the workshop would be worth it at this point.

Things to think about.  Fortunately, I have time.  I probably won’t make final decision until Feb 2011.  By then, if I’m remotely on target, I’ll have five novels being shopped to trad. publishers, book one of my e-book series out, and at least 40 shorts circulating (unless editors buy more/all of them..nudge nudge universe).  So I’ll see where I’m at.

Anyone else thinking about applying? Anyone who reads this been to one of the Clarions? What were your experiences?

(And, of course, there is always Odyssey as well, which I’ve heard lovely things about from both the woman who runs it and writers who have attended.  So much to consider. Meep.)

Sale Sale Sale Sale

I sold another story.  To a pro-paying magazine.  Details to follow once contracts are all worked out etc…  But man, it’s nice to have a sale.

Follow Heinlein’s Rules for Writers. It pays off.  Seriously.  I almost trunked this story due to thinking that the content might make it too hard to sell.  Ha! I was so wrong.  Good thing I ignored that stupid inner demon voice, eh?

So yeah, I have to go dance on a couple more rooftops. Then, I really should finish this novel.