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The Streak Begins

So the writing in shifts thing has been working out pretty good except for one tiny issue.  I keep working on one thing.  Despite my brain being fully capable and willing to write two (or ten) things, apparently once I get into my groove, it wants to finally settle down.  That’s not a bad thing at all.  I am learning my limitations, however.  Like that it takes me realistically six weeks instead of four to write a novel because I like to goof off and procrastinate and do all manner of things that aren’t writing.  Or that I don’t really like working more than 4 hours a day (some days, I do.  Some days the words and flowing and I’m on a roll and don’t want to stop, so I don’t).  Four hours (broken up into a couple shifts) of writing brand new fiction feels pretty good.  I usually get 3-5k words done in those four hours, which is a totally acceptable pace for my goals.

So I’ve decided to start a streak, a writing streak.  I’m going to write every day for at least 20 minutes.  I find writing is like exercise, I don’t necessarily feel up to it instantly, but usually once I’m doing it I feel pretty good and want to keep going.  I’m usually less focused and more distracted on weekends (weekends being when my husband and cat and stuff want my attention most).  But I’m going to keep my streak up.  Every day. Every. Day. 20 minutes minimum.

I’ve also decided what I’m going to do during my streak.  I’m going to focus my efforts this year on the various novel series I already have going.  I’ve set up a calendar of novels and deadlines because I work best to deadlines.  Most of these books are already outlined.  I intend to use weekends for short story writing so that my short story submissions don’t fall behind and because shorts are awesome.  One and done.  One day (sometimes two) and I’m finished.  They are very satisfying.  When stuck in the middle of a novel, it is nice to remember what finishing something feels like, so I like to do short stories to mix things up.

So here’s the rough deadline schedule:

Wrath (Pyrrh Considerable Crimes Division Book 2): March 19th

The Raven King (Cymru that Could Be: Book 2): April 29th

Delilah in Paradise: June 10th

Beyond Casimir (Lorian Archive: Book 2): July 22nd

Casimir Rising (Lorian Archive: Book 3): September 2nd

Hunger (Pyrrh Considerable Crimes Division Book 3): September 23rd

The City is Still Hungry (A Remy Pigeon mystery): November 4th

Vainglory (Pyrrh Considerable Crimes Division Book 4): November 25th

Delilah in Hell: December 30th

The Slow Beat Down (A Remy Pigeon mystery): February 10th, 2012

Sindra’s Storm (possibly a duology): March 23rd, 2012

So that’s the schedule.  Unless, of course, a giant wrench gets thrown in it due to either success (like a contract or two) or disaster (but hey, I could still type in a hospital bed, so I’m good, right?).  And of course keep the streak up and hopefully get 52 stories written and submitted.  I’ve done two shorts so far this year.  I’m a little behind.

Go go gadget streak writer *grin*

E-book Pricing

All right.  I’m going to take a stab at this issue.  But first, a lot of caveats.

1) I don’t think that price, once under a certain threshold, matters as much as a lot of “indie” authors think it does.  My personal feeling is that time is better spent writing more books and doing some targeted marketing (like sending out review copies) than messing around with price on books.

2) My personal threshold for ebooks is that the price be below the available paper version’s cost (ie if the book is out in hardback for 27, the ebook should be less than that (I prefer under 10 bucks, but I’ll pay up to 15 for an ebook I really, really want if the paper version costs more).  If the book is out as a paperback for 7.99, the ebook should be less than that, say 6.99 or something).  I am perhaps still clinging to my love of paper books on this, however.  Personally, as someone who buys a good amount of books, that’s my threshold.  If I want a book RIGHT NOW but it is two bucks more for the Kindle version than the paper one, well, I generally hold off and either order the book or go to a bookstore.

3) All that said, when you become a publisher, which is what putting your own books out yourself or with the help of a start-up small publisher (ie a conglomerate of your friends, which is what mine is), you do have to price your books somewhere and decide on a range and general guidelines so that you look consistent and your readers know what to expect.  You have to pick a price with each new title and it helps, I think anyway, to have a basic idea of where you are pricing things.

4) Basically what I found is that ebook pricing varies a great deal and it varies a lot by genre (not as much by length, once you get away from short stories.  I found plenty of novellas priced more or less the same as novels, for example).  In an ink and paper bookstore, books are priced (unless on sale or sold used) by the format.  A hardcover will always be in the 24.99-28.99 range no matter the genre.  If I walk to the Mystery section and pick up a mass market paperback, it will likely be 7.99 (sometimes 6.99, but usually these days 7.99).  I can then walk over to Science Fiction and pick up a mass market paperback and it will also be 7.99.  Ebooks are different and I find that very interesting.  I don’t know what it means yet, if anything, but I do think that I’ll be looking at pricing more by genre than any other factor.

So for my totally unscientific study, I decided to look at the genres I’m planning to put out books and stories in and see what the pricing looked like.  First I checked the top 100 bestsellers in each category and marked down where the prices fell for those.  Then I did a very, very rough general price look-up to see where the numbers of books in each price range fell in each genre.  Again, these numbers were as of yesterday and are not exact.  This is just a rough overview, not a deeply scientific study.  All of these are Amazon.com only.  I haven’t looked at B&N pricing, though I might, nor have I looked too much at Smashwords yet.  So far all but one of my sales on my tester short stories have been through Amazon (Amazon.uk accounts for most of them, strangely. I guess they like literary short fiction?), so that’s what I studied first since for the moment, they still have a large portion of the ebook market.

Here’s what the rough breakdowns looked like:

Romance top 100:  43 books priced between .89 and 2.99, 27 books between 3.00 and 5.99, 19 priced between 6.00 and 7.99, 8 books priced between 8.00 and 9.99, and the remaining three priced over 10.00.  The rough pricing distribution among all Kindle books in the Romance category was about 3,250 in the .99 to 2.99 range, 3500 in the 3-4.99 range, 4050 in the 5-9.99 range, and 1200 priced over 10.00.    So the bestselling books are definitely weighted to the lower end of that, for whatever it means (correlation is not causation, after all).

Romance novellas (what I plan on writing, so I did this sub-category even though it isn’t really one even on Amazon) broke down roughly like this (I only looked at top 100 for this category):  There were 18 novellas priced at .99, 7 novellas priced 1-1.99, 31 novellas priced 2-2.99, 17 priced 3-3.99, 11 priced 4-4.99, 7 priced 5-5.99, and the other nine were price over 6.00.  These are of course a self-selecting category since if the publisher didn’t identify the book length as novella, it wouldn’t have shown up using the search parameters I used.

Mystery top 100:  36 books priced between .89 and 2.99, 6 books priced between 3.00 and 4.99, 22 priced between 5.00 and 6.99, 25 priced between 7.00 and 8.99, 8 priced between 9 and 9.99, and the remaining three priced over 10.00.  The rough pricing distribution among all Mystery books on Kindle (and it is by far the biggest genre category I looked at) broke down roughly like this:  7,050 books priced .99 to 2.99, 6,400 priced 3-4.99, 7,100 priced 5-8.99, 4,700 priced 9-9.99, and 3,400 priced over 10.00 (the bulk of that priced between 10 and 20 dollars).

Police Procedural subgenre of Mystery top 100:  25 books priced between .89 and 2.99, 8 priced 3-4.99, 49 priced 5-7.99, 15 priced 8-9.99, and the remaining three over 10.  The general pricing breakdown for all books listed under Police Procedurals was 546 priced between .89 and 2.99, 264 priced between 3 and 4.99, and the bulk of the rest priced in the 5-7.99 range.  I wasn’t able to get good numbers on this due to the way I was searching (Amazon kept mixing in prices that weren’t in my search designation, probably due to their discounting? I’m not sure).  My rough look though showed a great deal of the books in this category listed at 6.99 and 7.99.

Science Fiction top 100: 39 books priced between .89 and 2.99, 10 priced between 3-4.99, 29 priced 5-6.99, 19 priced 7-9.99, and three over 10.  The overall breakdown was approximately 1,600 books between .99 and 2.99, 700 priced 3-4.99, 290 priced 5-6.99, 550 priced 7-9.99, and about 300 over 10.00.

Fantasy top 100: 29 books priced .89-2.99, 8 priced 3-4.99, 43 priced 5-7.99, 11 priced 8-9.99, and the remaining nine priced over 10.00.  The overall pricing looked like this: 1,500 books priced .99 to 2.99, 1300 priced 3-4.99, 2,200 priced 5-9.99, 300 priced between 10 and 20.

So that’s the basic data I collected.  My searches, other than the novella one, did not weed out short stories or take length into consideration at all.  I looked at genre numbers and pricing and at the top 100 bestseller lists at the moment of the search.  That allows for a lot of variance and other factors in this, but I just wanted a rough overview of pricing on ebooks.

What have I learned and/or decided?  Genre does seem to matter.  Science Fiction and Romance both had lower trending prices than the other genres I looked at.  There also seems to be a strange “deadzone” in the 3-4.99 range on a lot of those top 100 lists that isn’t always reflected in the number of books priced there.  Are readers avoiding books priced in that range?  Could the .99-2.99 book buyers be a whole different set of buyers than the 5.00 and up crowd?  I’ve noticed from looking at Amazon’s “customers who bought this also bought” sections that people who’ve bought .99 books tend to buy a lot of other .99 books.  I’m not sure what that means, if anything, but I think it is interesting to think about.  When I’m selling my books, who are my targeted customers?  I joke with my friends that the only thing I look for in a reader is recidivism.

I think when I put books up for my small press, I’ll definitely be pricing by genre and using what I’ve found in this data to decide.  For Romance, and specifically Romance novellas, it seems as long as I stay in the 2-4 dollar range, I’m right in the expected price range given the pricing of books on the bestseller list.  For the Fantasy Police Procedural books (yeah, that’s crossing genres, yay ebooks and being able to put things under more than one category), I think I’ll aim for the 5-6.99 range.  For straight mystery, probably aim at the same range.  For Science Fiction the price trend seems lower, but I don’t want to be in the 3-4.99 deadzone either.  More books in Sci/fi were priced in the 5-9.99 range than below 2.99 (48 vs 39), so I’ll probably take a chance and position the books on the lower end of the higher range.  Short story collections seem like an all over the place no-man’s land and I wasn’t even able to get good data on them, so I’ll probably go with genre pricing on those.

Again, no one really knows how ebook pricing will shake out or where the various prices will settle.  Length might become more of a factor, but it is difficult to see how long a book is on the Kindle. File sizes and location numbers can be way off based on things other than book length.  I’m going to make sure that if a book is less than 45k words or so that the descriptions reflect this so a reader knows they are buying a novella or short stories, etc.

But in the end, the price matters a lot less than other things.  If the books I publish aren’t any good and aren’t packaged well (good covers, good descriptions, good samples), they won’t sell at any price.  That’s what I’m going to focus my energies on.  More books, better books, great packaging.

New Plan, Same as Old Plan

Well, mostly the same as the old plan.  I’ve noticed that one of my issues with writing is that I have too many ideas.  I don’t get the traditional form of writer’s block (ie not knowing/having anything to write about), but I get the reverse of that.  And it does slow me down and sometimes stop me entirely.

What I’ve noticed the last couple months is that I write in shifts.  I’ll write for an hour or two and then take a break (breaks often lasting a couple of hours) and then go work again.  Starting today, I’ve decided to try to use that to my advantage.  I have so many stories in my head right now that I feel like I’ll never get them all out.  I have a novel almost done and one started that literally needs to be done by Feb 1st in order to make a workshop deadline.  If I write in shifts, I should be able to finish both.  So for the rest of this month, I’m going to try that method out.  Work on one in the morning and one in the afternoon/late at night or whenever the second “shift” happens.  I know I can keep the stories straight in my head because my head is juggling about 20 different novels and short stories at the moment including these two.  Hopefully doing things this way will prevent the “but I want to work on this instead” block, because I’ll just go work on that instead.

And hey, if this works, then I’m going to keep assigning shifts to projects and see how writing multiple things concurrently pans out.  I’m still adapting my process and finding ways that work for me.  I fully intend to try different ways of outlining novels as well at some point this year (that Snowflake method looks interesting, for example).

So that’s the new plan, which is pretty much the same as always.  I’ve got a lot of writing to get done (about 90k words) in a short amount of time.  But if I finish it or even get close, I’ll have finally gotten my 100k words in a single month.  Which is pretty cool (I’ve written about 30k this month already).

Nom Nom Nom

Technically, I have a couple stories eligible for award nominations. I had a long debate with myself about even writing this post, but decided, hey, first year I’ve got things eligible, I should at least write a subtle “zomg sold stuffz!” post pointing this out.

So here goes…subtle. Yeah.

“Some Like it Hot” (AlienSkin Feb/March 2010 issue) is eligible as a short story.
“No Spaceships Go” (Daily Science Fiction, Dec. 17th, 2010) is also eligible as a short story.

So if you for some reason loved either of those and are in a position to do some nom-ing, there you go. That’s my list.  (My third story published this year doesn’t, I think anyway, fall into the speculative fiction category enough to be relevant.  However, if you feel like reading it and don’t mind dropping .99 on it, it is now available as an ebook with another short story here or for free on Contrary’s website here)

2010 Recap Addendum

I figured maybe I should post my submission/rejection stats for 2010 as well (all the cool kids are doing it… or something).

So here are the rough totals:

Current Race Score: 41
Current eRace Score: 3

Stories submitted: 34
Novels submitted: 3
Total Rejections: 151
Personal rejections: 93
Stories Sold: 3
Novels Sold: 0
Rewrite requests: 2 (one rejected, one pending)
Stories currently being held for “final” consideration: 4
Full novels out: 1
Writers of the Future results: Q1- HM, Q2- Semi-finalist, Q3- HM, Q4- unknown

So yeah. A ton of rejection, a few sales, lots of personal rejections, some interest in a couple of my novels, and mostly just me needing to get more work done, get better at writing, and get more out. If you count my 2009 totals into the rejections I’m at well over 200. W00t? But at least it is one measure that I’m submitting and writing and submitting more. Hopefully I can double or triple everything (rejections, sales, race scores etc) for 2011.

2010 Recap

This is the obligatory post where I look at my goals from last year and then see where I stand on them now, a year later.

Goal 1. Write 4 novels and submit them
Well, I have three submitted. So that’s not a total fail. I’m short one novel, but will have it ready by Feb.

Goal 2. Have at least 30 short stories in my folders and keep them out on markets until they sell or have nowhere to go
This is a win. I have over 30 short stories in my folders and have been pretty good about keeping them out until they sell (and some have even sold, crazy!).

Goal 3. Finish everything I start
This is a fail for a couple reasons. I started a Middle Grade novel back in June, got about 12k words into it, and quit. I don’t know if I’ll return to it because I just wasn’t feeling the love with the story. I mean, I like the story, but I wasn’t so keen on that whole “middle grade” thing and kept wanting to do horrible things that young people probably don’t want to read about. So it might turn into a weird novella for e-publishing.
I also decided to work on beginnings this fall and toward that end started a bunch of short stories without finishing them. I will finish them at some point (probably during the story a week challenge next year).

Goal 4. Submit everything I finish
Win. I’ve been crazy good about getting stuff into the mail.

Goal 5. Keep track of receipts and other things for taxes (I was abominable about it this last year, sigh)
Mostly a win. I know I’ve lost track of some receipts and I wasn’t sure about what counted or not for others, but I’ve done a pretty good job of keeping track of the big stuff (putting it all into a spreadsheet soon is going to be scary. I don’t want to think about how much money I’ve spent at the post office and on workshops etc…).

Goal 6. Try writing at least three things outside my genre comforts (mystery, horror, erotica, something…)
Win. I wrote an entire mystery novel, I’ve been messing around with erotica, and I’m about to start a romance novel. I’ve definitely been writing outside the comfort zone.

Goal 7. Keep going, never look back, never surrender and all that
Well, I haven’t given up yet 🙂

Basically, I did pretty well this year. I sold three short stories, got a Semi-finalist in the Writers of the Future contest, learned how to put stuff up on Kindle, and wrote almost 350,000 words. I missed my word count goal by about 100,000 but I ran into snags this year that I couldn’t foresee, so I don’t feel that annoyed. I got a lot done, by any measure. And next year is going to be even bigger. I’m just getting warmed up.

Clarion Redux

For all my musing and thinkings earlier this year about whether or not to apply to Clarion, I went ahead and did it.  I’m not sure I’ll be able to afford to go unless they give me scholarship money, but that’s a problem to deal with AFTER I get in at all.  I figure that if I want it enough (and I wouldn’t have applied if I didn’t) that I’ll find a way to beg, borrow, or steal to get there.

As for my earlier fears of Clarion slowing me down too much, well, I’ve sorted out that issue as well.  I’ve figured out that if I’m consistent in my writing, I only need about 2-3 hours a day to write.  I’m sure that even with all the distractions of being at Clarion, I should be able to find 2-3 hours to get things done (after all, my classmates will have to be doing stories and critiques and such as well).  So I think I could still keep up my production rates and get the work done while hopefully enjoying the socialization and networking and learning that Clarion provides.

So we’ll see.  I don’t know if my writing is good enough to get me in.  I picked two of my favorite stories for the application.  Hopefully that’s enough.  I imagine with the line-up of instructors this year that they’ll get tons of applications and they can only take 18.  But it’s out of my hands now.

As for non-Clarion workshops, I’m going to make it to at least three this next spring and to Reno for World Con this summer.  While writing and practicing are good, learning and expanding my network are important also.  It’s a struggle sometimes to figure out the monies for this stuff, but this is my career and I figure investing in my future is probably a wise thing.  I’ve definitely grown as a writer and a person this year because of the workshops and conventions and I want to continue that growth.

2011 Goals (The Work)

So last goal post I did the numbers.  The sheer word counts I hope to hit.  Now I’m going to break it down a little more specifically.

This year (2010) I focused on just learning and getting more work out.  Coming into this year I’d written one novel and only a few short stories that I considered possibly publishable.  2010 was the year I decided I needed to step up production and see what I could do.

2011 is the year to put the writing car in overdrive.  I want to be more consistent with my output and to finally get to some of the hundreds of ideas I’ve got bumping around. This is also the year in which I intend to explore e-publishing options while keeping things in the mail to the traditional side of things.

So here’s how that 900,000 words is going to (hopefully) break down:

I’ve been playing around with writing romance because I love to read romance and want to make sure I’m covering my genre bases.  I’ve got a Regency romance novel outlined that I’ll be writing in January for traditional publishers, which will put my novels out to publishers count at four, in four different genres.  I’m aiming for 75-85k words on that book.

For e-publishing I want to write my favorite lengths, which is shorter.  I have a few series romance ideas outlined for this.  So my goal is to write seven books in one series (or nine, depending), three books in another, and three in another.  Each of these will be about 25k words.  So thirteen novellas at 25k words should work out to about 325k total.  I’ll be writing one or two of these a month and putting them up online as soon as they are copyedited and formatted.  I’ll also being doing omnibus versions and making those available in print as well.

I’ve also got four Pyrrh books planned (am finishing the first one now, in fact) which will be about 50k words each.  Those will be available in print as well, and I’ll probably make an omnibus version (I have eight books for that series planned in total, releasing four a year).

I also want to write at least one more novel for traditional publishing (to bring my year end total up to 5 or 6 depending).  And if by the end of next year a couple of my novels that are out now don’t sell and have gotten more than 25 rejections, I think I’ll probably just write the sequels (one is a duology, one is a trilogy) and put them up for sale electronically and in print.  It’s my goal, however, to keep at least four or five novels out to traditional publishers each year so that I don’t let that side of things slide.

On the short story side of things, I’ve enlisted to write a short story a week and mail it.  So that’s 52 short stories to write next year.  But, because I don’t want to neglect the e-pub side of things, I also have ideas for four collections.  Each collection would deal with the same characters and have about ten stories in it.  I intend to write these stories solely for the collections (though I might mail them a few places first while I’m working on getting the full ten).  I’ll also put up one of the stories from each collection at .99 to be a sample for the rest.  I’m going to make print versions also for all these.  So that’s actually about 92 short stories total written next year, 52 for traditional publishing and 40 for my e-pub collections.

So, to sum up.  13 romance novellas (7 contemporary romances, 3 nerd romances, 3 paranormal romances), 4 fantasy/mystery novels, 2 novels for traditional publishing, and 92 short stories.  Which should work out to around 900,000 words next year, or 2500 words written per day if I write every day or 3500 words per day if I write only on week days.  So between 2 and 4 hours of work.  Not so bad.

As for how I’ll do money-wise, I have no idea.  I might sell nothing.  But that’s why this is a goals post, not a dreams post.  I don’t have any control over what I sell or not, only what I write and how much I work on my craft and on telling stories.  My dream is to make six figures a year at my writing.  My goal is to write stories that people can’t put down.  I can’t control the dream, but I hope that if I can someday learn enough and practice enough to get good at meeting my goal, the dream will follow.

My Idea System

In the comments on the last post (about 2011 goals), one of the comments asked about my system for keeping track of ideas.  I do, in fact, have a system, though like most systems that have organically grown over the course of time, it doesn’t necessarily make a ton of sense.  I figured I could do a post on it, but I’ll add some visual aids just for fun and try to describe how the parts I couldn’t figure out how to get visuals for work.

So let’s follow an idea from inception to finished product/submission through my recording system.  The first thing that usually happens is a character or bit of story or a line or two pops into my head.  From there I let it sit.  If, after a couple days (or when the idea is super insistent), I still have it in my head, then I write it down in a notebook.  Yes, a good old paper notebook.  I use Moleskine Cahier notebooks because I love the way they feel and how well they hold up.  This is probably a hold-over from when I used to write every story by hand (something I did up until a few years ago when I tried to write a novel by hand and pretty much said fuck that).

If the idea has a title, I use the title to list it (each idea gets a fresh page).  If it doesn’t yet I just pick out a couple key words.  This is the beginning for both short stories and novels.  If I know that the idea is probably going to be a novel idea, I make a note of that on the page.  I have multiple notebooks for ideas.  In the past I was just sort of filling them up as I had the ideas, but for next year I’ve actually gone and separated out a notebook for novellas, one for short fiction, and one for novel ideas.  I’m not sure how long that level of organization will last since sometimes I don’t know if an idea is a novel or just a short one at the start (they tend to seem like they’ll be short, but then grow and get more complex).

From there the ideas sit until I’m ready to start on them.  At that point they have different fates.  Novel ideas get their own sections of a different notebook.  I give you exhibit A:

These are a few of my novel project notebooks.  Some of these novels have been written or are in various stages of writing (There’s actually a notebook without tabs in there, but it’s dedicated to a trilogy, so I didn’t tab it yet since I know which one it is, so this picture represents 11 novels and 4 short novels).  Inside these notebooks I outline, keep track of character descriptions and place names, and do all the little nitty note taking that I feel is necessary to keep track of the world for each of my novels.  I imagine that when I start actually writing multiple series books that I’ll gravitate toward having a single notebook for each series with my handy tabs dividing by book, but for now this system allows me to easily flip to whichever project I want to work on and to see which notebooks hold which novel at a glance.  I find this simpler than trying to use electronic notes, though I appreciate that if anything ever happened to my home (fire, flood, really bored thieves), that this system could fall apart.  At least I back up all the actual writing electronically in multiple places.

So that’s what the novel notebooks look like.  For short stories I just find the title/tag line of the story I want to work on (if I’m in a short story writing mood I generally flip through until I find something I want to write), and then I just continue with story notes and character descriptions and all the things I need to keep track there.  Which, once a story is done, generally leaves me with a couple of pages that look like this:

If you can read my handwriting at the top of the right page there, you’ll see that this story was originally tagged as “Race to Pluto” but then got its actual title “The Light of the Earth, as Seen from Tartarus” once I’d started working on it more.  (This story has already been through Writers of the Future, so I’m using it since I don’t have to worry about anonymity anymore).  I generally write short stories over the course of a single day, sometimes two (this one took two, but it’s 13,300 words long).  I don’t often outline short stories, but as you can see from the left page above, I did a rough time line because the timing in this story was important (And yes, I do have the crazy handwriting of a serial killer, but *I* can read it, usually).  Sometimes though I’ll be adding notes and ideas to a page for weeks before I get working on a story.  It all depends how long the story needs to percolate in my brain.

The next step is once I’ve decided to work on a story or novel.  I go into my writing folder and then into the relevant folder (Short Stories or Novels or Novellas).  Then I make a folder with the title of the story or novel.  Then I open a word document and label it as a rough draft (usually titleRD.doc) and go to work.    Recently I’ve expanded this system a little.  I don’t normally start short stories and then not finish them, but back in October I was working on hooks and beginnings, so I picked out a bunch of short story ideas from my notebooks and went to the next step without finishing.  So in my short stories folder I have a folder called AAAbeginnings (the three a’s are so it will sit at the top of my alphabetized sorted list).  In there I keep the folders of stories that aren’t done (I have quite a few at the moment thanks to that exercise). Once I finish a story out of that folder, it gets moved to the regular section.

I also have a few pages in one of my notebooks that is all titles.  Pages and pages of titles that don’t have an idea attached.  Last year I decided I was pretty terrible with titles and wanted to practice coming up with them.  So I tried a few different methods (ranging from putting random words together to using random title generators on the internet) and wrote down all the ones I liked.  So sometimes if I have a story idea I’ll scan those pages of titles and see if any fit or can be altered to fit.

Anyway, that’s how my system, such as it is, works.  I have tons and tons of ideas, more than I will ever likely be able to complete.   And more come in each day (I think I have about 15 notebooks in various stages of full at this point).  It’s one of the main reasons I’d like to be faster and more consistent, because then I’d get a lot more of these ideas developed and out to markets.  So hopefully this post helps show how the hell I keep track of all this.  I imagine my system will keep evolving to suit my needs and career, but for now it works for me.

2011 Goals (The Numbers)

Yeah, yeah.  It’s only December, which is pretty early to be making a goals post for the new year.  But I’m a rebel or something.  And I’ve been looking back on this year and then looking ahead and figuring out what I want to accomplish.  So this post will be purely the numbers without specifics.  I’ll do another post on the specifics (things to work on, etc) at a more traditional time (like say, January 1st?).

This last year was all about building up my magic bakery and figuring out a lot of things about my writing style and working modes.  I’ll do a full summary post about how this year went sometime this month.  But the short version is that by February I’ll have four novels out to traditional publishers in four different genres.  That’s a decent start to my bakery.  I’ll also have about 25-35 short stories out to markets (depending on many factors like hopefully sales).  That’s a good start, too.

2011 is going to be all about taking it up a notch and all about dipping my feet (and legs and body) into the e-publishing world.  I’m going to be writing novels and novellas almost exclusively for e-publishing next year while I continue to shop around those four novels with trad publishers.  I’m not ruling out writing a novel or two for trad publishing next year, but it won’t be my focus (unless I get a contract and have to write a sequel or something.  But that’s the sort of hiccup in a plan you hope for, not count on).

Besides getting my feet wet with e-publishing, my main goal this year is to get more consistent with my writing.  I’m a bit of a binge writer and I’d like to stop being so all or nothing and work more on just getting *something* done most days of the week.  I’m a generally competitive person, so to further this goal I’ve undertaken a couple of challenges that will hopefully (and are so far) spur me to get just more done in general.

The first challenge is with a friend of mine and the goal is to write 100,000 words a month.  That’s about 5k words a day, 5 days a week.  So about 4-6 hours of work, 5 days a week.  I tried this in November but got derailed at the halfway mark due to wrist pain and some other health issues, but I’ve adjusted my workspace and am working on the other things, so hopefully that will no longer stand in my way.  However, I’m still not sure that, as a naturally shorter length writer, I can quite manage 100k words a month.  So I’ll probably just owe her a lot of dinners since I’m setting my goal at about 75,000 words, which works out to 2500 words a day, 30 days out of the month, or 3750 words if I only work 5 days a week.  Which is 2-4 hours of writing a day, and completely doable even with wrist issues because I can break it down with lots of rest periods.

The second challenge is the story a week challenge.  Ray Bradbury did this, writing one story and submitting it each week.  We all know how well that worked out for him.  Some other writers I know have started the challenge and are calling it the “Write 1 Sub 1” challenge.  The title there will link to the website detailing the challenge.  With short stories I’ll be sending them to all the pro-paying magazines first before putting together any collections for e-publication.  I intend to bring back my old “Short Story Monday” thing for this, so that each Monday will be dedicated to writing a short story and submitting it by Friday.

Ideally, over all, my goals break down thusly:

900,000 words total by end of December 2011.

240,000 words of full length novels for e-pub or trad pub.

200,000 words of shorter novels for e-pub.

300,000 words of novellas for e-pub.

160,000 words of short fiction for pro-paying magazines and/or e-pub.

That’s the numbers for 2011.  It looks like a lot, but it breaks down to under 3 hours of writing a day, which really isn’t that much.  Writing is my job and I damn well better be willing to put at least 2-3 hours a day of work into my job.  Fortunately, having to do only 3 hours or so of writing a day means I’ll have plenty of time to put in the hours for the things that aren’t writing, like formatting, editing, wasting time online (ahem, I mean…researching!), reading, playing videogames, etc.  What? Videogames are totally integral to my job. Really. Seriously.  It’s…uh… consumption of story!  Vital. Totally vital.

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