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Posts Tagged ‘writing’

So… The Eeeevolution

No, this post isn’t about evolution.  It doesn’t matter what I think about evolution anyway because I choose to believe in the Flat Earth theory, which has hot light and cold light and an anti-moon and… (I’m kidding here. Seriously. But google Flat Earth Society if you really really really have to).

This post is about the e-book revolution or whatever you want to call it and some of my history/thoughts at the moment on the whole thing.

About a year and a half ago I decided that this writing thing was for me and that I should give it a real go.  I found a blog called A Newbie’s Guide to Publishing by an author named JA Konrath.  It kind of blew my mind in many ways for many reasons.  Relevant to this particular topic is that Konrath is currently making a very cushy living doing e-books (he’s also traditionally published) and is very candid about his path and where he’s at.

Back then I figured that self publishing was still pretty much the same as vanity publishing and not really an option for what I wanted.  That’s changed, clearly.  I decided to keep reading everything I could find about ebooks and to follow Konrath’s posts and the comments (more and more e-authors post good comments on his posts, and comments online can be gold.  Except on you-tube, and sometimes even then).

Konrath posits that all you need for success as an ebook author are four basic things (and I’m way paraphrasing from memory, so forgive any inaccuracies, they are mine and not Konrath’s):  1) a good book 2) a good cover 3) a good blurb 4)  a low price point (he recommends, I believe, under 5 dollars).  I don’t think being traditionally published hurts, but he does have an interesting point.

About six months ago, I decided that I would get my feet wet with ebooks in a big way as soon as I fulfilled a couple of conditions.  The first was to sell at least two short stories and be getting more personal than form rejections.  The second was to have a couple more novels for traditional publishing written and submitted.

I set the first condition because that is where I felt my writing would need to be, ie at a level that has proven it can sell, before I would be comfortable with trying to achieve tenant one of the checklist (write a good book).  I set the second condition because a) writing is practice and having a few books written before I write more books is always good and b) I wanted to make sure I wasn’t taking away too much time from other parts of my business plan.

I have fulfilled condition one and will have soon fulfilled condition two.  Which means that starting early next year, I’ll be going ahead with operation e-book experiment in which I plan to put Konrath’s theory to the test.  The publishing world is changing, there’s no doubt about that.   This might be paper book nostalgia talking, but I lean toward trad publishing doing all right in the end and sticking around.  I don’t think the big publishers are going anywhere anytime soon.  But e-books aren’t going to either, and I see really no way the author who stays on top of this stuff can lose.

Look at the porn industry (stay with me now…).  The internet caused a huge shake-up in porn. Huge.  The giant piles of money turned into more disparate piles of money because suddenly everyone with a camera could produce and distribute porn.  Sound familiar? But there is still porn. And still money to be made in porn, lots of money.  Even for amateurs.   I look at publishing the same way*.  Things are going to change, but books won’t go away.  The author provides the product and as long as people want to read, there will be demand for what I do for a living.

So basically, conditions fulfilled, I’m jumping on the e-train.  Stay tuned for a post about the specifics in another month or two (as soon as I have some cover art for a preview, perhaps?).  I think the future for authors lies somewhere in the happy middle between trad and indy.  They are both ways to make money, to find readers and connect with an audience.  Each has advantages and disadvantages, and I think there is, in the end, a way to get a bit of the best of both worlds.

*I just know that somehow I’m going to get flack about this porn/publishing analogy. Sigh.

Deadline!

Well, today (the 10th) has passed me by.  And no, the novel is not done.  It’s close, but not quite there.  Oops.

However, I think I know what factors have gone into my total fail to finish on time (mind you, I have some leeway, I set my deadline a little ahead of the actual doomsday because I always try to factor in life things).

First and foremost, a lack of focus.  I’ve actually written quite a few words in the last month (need to update my progress meters, I’ll get around to it), but on multiple projects instead of just focusing down one project at a time.  I switched which novel I wanted to do and lost about a week of productivity before I realized that I didn’t have the time I needed to write that novel.  I could really use that week back (if I’d stayed with the current novel, I’d be done!).  So I’ve learned my lesson there about multiple projects.

Second, writing in a wholly new genre involves a learning curve and the work definitely goes more slowly.  I’ve been working very hard on getting a thriller pace and character milieu and all the other things that come with writing a book like this.  It’s been slower going and a lot of second-guessing and pep talks to myself these last few months.  Didn’t plan on that. But hey, now I know.

Third, I’m sick.  First was migraines, then they left a nasty cold in their wake.  It sucks. Writing while my head is a fog from drugs or stuffiness or fever is lame.  I’m pushing through because I have to, but it ain’t fun and I’m making mistakes in the manuscript.  Caught one today where I’d changed a character’s name mid-book.  Yay for find/replace.

So yeah, /end whine.  I will finish this novel sometime this week.  And then my Q4 entry for WotF which I haven’t even really thought much about.  Then… well, I’ll tackle that once I hit Sept 30th.  Until then, the novel and my Q4 entry are my focus.  That’s what is up with me.  Getting toward the wire, time to work.

(In happy news, I got the proof for my Contrary Magazine story, and that was pretty cool. It’ll be up soon!)

Another Quickie Post, Another Sale

I’m deep in the middle of “oh god oh god we’re all gonna die (before I finish this novel)” land, so this will be a quick post.

First, I sold another story.  My story “Insect Effect” will appear in the next issue of Contrary Magazine.  Does that title sound familiar? It should, because I put it up on Kindle.  See, I somehow mis-marked my submissions records and had the story listed as rejected.  Totally my fault.  Fortunately, the folks at Contrary were kind enough to overlook that (the story is down now, and won’t be available again except at the magazine until after the contracted date).  But it sure has taught me a lesson in double checking everything before doing anything that might compromise a sale.  Fortunately this time I don’t have to pay for my mistake and my story still gets published by an awesome ‘zine.  (They have some very odd, surreal, and beautiful stories, I’m happy that my odd and surreal story gets to be among them).

Well, my Friday novel deadline is looming tall.  Time to drink another monster, stab the short story plot demons in my head (seriously, my brain wants to go back to short fiction. It keeps trying to escape) and go right back to the novel.  I’m almost through the swampy middle and into the home stretch.  Writing a thriller has been different and more challenging than either of my other novels to date, but I think I’m learning a ton doing this, and hopefully will have a kick-ass book at the end.  But first… I gotta get to the end.

Getting There

Had a rough patch or three in the last couple weeks with my crazy novel project, but I’m in the home stretch on one novel at least.  I had set it aside to work on the one I really wanted to workshop, but realized after a few thousand words that TVMoSS is going to be a lot more complex as a novel than I originally thought.  While I think I could probably still write it (at least a passable for workshop draft of it) in a couple weeks, I’m not sure I want to.

So I switched back to my thriller.  And hit the great swampy middle.  The last novel I wrote (my second ever) I took an eight month break in that swampy middle.  And I swore never again.  No more breaks.  But the middle is still not fun.  There comes a time when I’m writing and I can’t tell if what is falling out onto the page makes any sense at all.  I was so worried about this novel never making it to 80k words, then I solved a problem and added a POV.  Which is great for adding words, but suddenly I had a character with a whole storyline show up a third of the way into the book.  Is this done?I wondered, and can this work? Am I screwing it all up?

I don’t know. I still don’t know.  So I guess in the end I am glad I’m taking this book to the workshop.  DWS will tell me if he thinks it is broken.  And the others will all let me know if they’d even want to read past the first 50 pages.  So we’ll see. But it’ll be done at least. And I’ll have written my first thriller ever.  I keep wanting to have a character fireball something or whip out a sword or teleport.  I miss you, speculative fiction! I also miss short stories. So very much. I haven’t written a short story in like two months.  I will soon. After Sept. 10th.  I’ve still got WotF to win, right? *grin*

These are the days, however, when I’m glad I have a super supportive spouse.  He went on a long walk with me this afternoon and I told him all about my detective (the POV I’m working into the story).  My husband is psyched to read this novel now, when he was lukewarm about it in the beginning.  His excitement helps me.  He thinks the story sounds better, more complex than it originally did.  He loves  the idea of the character and the motivations behind him.

As writers, we are so often alone.  No one can write for us.  It just can’t be done. If someone is writing for you, then they are the writer.  Bouncing ideas off people is good, but at the end (or beginning) of the day, we just have to sit down and do the work.  All on our own.  And what we do is subjective.  We can’t ever know if it’s really any good, because “good” varies with the subject offering the opinion.  But when I say “hey, listen to this idea” or “hey, does this work, do you think?” to a responsive, interested ear (like my husband), it helps with the isolation and quell that feeling of insanely typing away into the dark nothing.

So even though I have to wade into the swamp each day by myself and try to kill a middle, I’m not truly alone.  I’m fortified by all the people that support me, and by the brave souls who have gone before and those who are wading into their own swamps alongside me.  We’ll slog through.  And we’ll get there.

Back to the swamp now.  I’ve got a novel to slay.

Overdrive! Progress Meter!

Hey, I solved a problem with my novel (the first one in the doom writing drive of doom).  But that problem that I solved? It means more words (which is good, the novel was going to be too short to market).

So here we go. I’ll update this post instead of spamming my blog with meters.  So check back to see how screwed I am *grin*

Goal is 155,000 words by September 10th.

Progress:

74459 / 155000

Novel Writing Overdrive!

I’ve just been reminded that I need to have my novel for the Novel Workshop in October done by September 10th.  Glancing at the calendar, that’s really not very far away at all. Meep.

This wouldn’t be nearly as much of an issue as it seems like if I’d finished the novel I am currently working on (which is very nearly done, I’m over the middle hump but desperately trying to figure out how to make it long enough).  See, I don’t want to workshop *this* novel in October.  I want to workshop the one I intend to write after the current novel.

You know, that novel that I haven’t even started yet.  Oh, I have characters outlined, and a rough idea of what happens. And sort of the setting.  And I did some research, if you can call reading a few westerns and watching Deadwood and Silverado again “research”.  But hey! Who doesn’t love a challenge, right?

So it is time to go into novel writing OVERDRIVE!  You know, that magical “extra” gear that really tough people are supposed to have. Or race cars, or something.  Counting prior social obligations and leaving Saturdays free for “hi, still married” time, I have exactly twenty one writing days until September 10th.  21. Days. That’s like three weeks. Awesome.

Not a problem. Right?  So my goal will be five thousand 6250 words a day on each of those twenty one days.  This pace should give me two finished novels.  At least if I totally fail it I have the first finished novel as my back-up for the workshop.  But I’m not going to fail.  Even with a pinched nerve in my shoulder, I can probably find 4-5 6-7 hours a day for twenty one days to you know, do my job.  (I was almost at this pace before Starcraft 2 pwned my life).

And the plus side is that will leave me with the 10th through the 30th to actually write something for WotF fourth quarter.

Well, time to put the writing into overdrive.  Just think of it as my writer-fu leveling up. A lot.

WotF 2nd Quarter Results

Well, I didn’t get a phone call.

But I’m a semi-finalist. Wee! Step in the right direction.  (Too bad I’m 90% sure my Q3 entry will be disqualified based on inclusion of a song lyric. Oh well. )

So yeah, that was sorta a shock, considering I’d heard nothing at all from Joni or anything.  But hey, getting a critique from KD is pretty awesome and way way better than the straight reject I thought I was getting.

Now, to go write something more awesome than anything ever for Q4!

Clarifying Myself, Again

Wow, I didn’t realize that my musings on whether or not to apply to Clarion/Clarion West would stir up the pot so much. Heh.  I guess it’s like writing anything, you never know when something will strike a chord or a nerve.  (Some of this post is also in response to some private conversations, so don’t think I’m necessarily replying here to any one person, I’m not).

So, to clarify, because clearly some misunderstandings about what/why I’m debating applying/going.

First, for the people who’ve just found this blog and haven’t read any of my older posts where I try to explain my process/speed/goals etc… I recommend this post.  And again the caveat, everything I say here applies only to me.  It might resonate with others, but I’m just talking about my experiences, my thoughts, and my writing life as it applies to myself.

My last post was just me wondering about Clarion and if it is what I need right now in my writing life.  That was it.  I asked for experiences/thoughts from those who had gone (or even just applied, I’m always happy to hear other people’s reasons for things) so that I could figure out for myself what I want to do.  I would never apply to Clarion without planning what might happen if I got in, that’s just silly to me.  One, it would be a waste of the application fee if I decided not to go and got in, and two, it would be poor planning in general (it’s six weeks! Even self-employed as I am, taking six weeks off/away from home isn’t simple).  So if I do apply, you’d better believe I’ll have sorted out how to afford it and if I want to go or not.  Hence my wondering aloud about whether it is what I need right now (or really, almost a year from now).

And, frankly, I don’t think that Clarion is for everyone.  It isn’t just a matter of being able to do the work (one story a week? Read the goals/speed post. I’m really not worried about the work load).  I’ve talked to a double handful of people who’ve been through one of the Clarions now and while some rave about it, some don’t.   And I don’t know if it is right for me. That’s all I’m debating.  No value judgments here, just personal musings.

My reservations about applying/going: one, the round-robin critique style.  I’ve done it, lots.  I don’t really enjoy it anymore.  I think, personally, that it is too easy to get hung up on minor things because you are “critiquing” and therefore have to find something wrong, and I think it is easy for a writer (especially a beginning writer) to try to take everyone’s suggestions and possibly re-write their story into mush.  This has been my experience with round-robin style.  Feedback is good (I have a couple groups of first readers, whom I treasure and love (when I don’t want to kill them) and should probably bake cookies for more often).  Too much feedback just for the sake of having to say something, not so good.  I’ve also got my editing cycle down to a science that works for me.  It’s a quick cycle, and while I learn from feedback, I don’t re-write in the traditional sense anymore. Ever.  If a story is so broken that I’d have to do a major edit, I start over.  I’m a learn by doing sort, and doing for me is writing, not rewriting.

Second, six weeks is a huge time commitment.  It’s also something I’d have to plan my writing goals around.  I don’t write nearly as consistently when I’m not in my home space, so I’d have to try to adjust for that.  I’m also an introvert, and social situations drain me, so that is also something for me to consider. While I’d be getting a story a week done at the least, as I said in my last post, I’d be experimenting a lot (after all, isn’t that what workshops are about? Stretching yourself?) and don’t know how much of that writing would be in the “do over” category.  Next year my plan is to write four novels for e-books and four for traditional submission.  Losing six weeks means a bit of a time crunch.  It’s doable, but I’m lazy, remember? So I’d definitely need to plan (and being an introvert, honestly I’d probably lose more like eight weeks- the one before Clarion and the one after on recovery).  Clarion/CW’s focus is on short fiction, and while I’m still writing some short fiction (goal is to keep 40-50 shorts out at a time, writing to replace the ones that sell), I’ve transitioned to novels because my goal is to make a living and novels are good for that (and I like writing them).

So yeah, those are my current thoughts.  I know that I’d learn a lot and meet many interesting people if I applied/went.  I don’t doubt that for many people, Clarion/CW is a great stepping stone in their writer journey and that the experience is amazing.  These are things I’m considering and weighing against my other thoughts.  Basically, it boils down to this:

Do I want to go to Clarion or Clarion West? Yes.  Can I afford to go money-wise? Maybe (I could figure it out).  Can I afford to go time-wise? Maybe (again, I could figure it out).  Do I need to go in order to have a career as a writer? No.  Is Clarion/CW the best use of my time and resources for my writing/career goals right now in my life? I don’t know.  And that final question is all I’m trying to answer here.

Hopefully that clarifies things.

Now, to put down the blog (and Starcraft 2), and go finish this novel.

O Munde, hodie aliquid vincam!

Clarion Musings

So, first… my sale. I have sold “No Spaceships Go” to Daily SF, a brand new magazine that will apparently start publishing later this summer/fall. So go subscribe now, because besides my story, it looks like they have lined up some top authors (including fellow PDX writer and Hugo winner David D. Levine).  I’m pretty excited.  More details whenever I get them.

Also, in other internet news, both Clarion and Clarion West have posted instructor lists for 2011.  And wow, they are impressive (okay, when aren’t they? seriously. Sigh).  Clarion list is here.  Clarion West list is here.

As always, I kinda want to go to Clarion (either Clarion) because writing with both my potential classmates and under the tutelage of professionals such as those listed above would be freaking awesome.  I’ve only applied once to Clarion West, and was form rejected.  Which doesn’t shock me, it was my first submission to anywhere, ever. (Feb 4th 2009, for those of us ie me keeping track).  And frankly, I mostly applied because I really wanted to meet Elizabeth Bear whose work and work ethic I super admire.  Probably good I didn’t get in, since I don’t know how I would have survived.

I almost applied to Clarion last year, but decided I couldn’t afford it and took a couple of Dean Wesley Smith’s workshops instead (which, for the sake of honesty, I almost didn’t get in to.  While there’s no formal audition like for the Clarions, Dean isn’t a guy who pulls his punches and if he thinks someone isn’t ready, he’ll say so.  I’m not sure I was ready, but I am grateful. *grin*).  And between discovering those workshops, reading Dean’s motivation posts (and Kristine Rusch’s posts on freelancing), and deciding to truly follow Heinlein’s Rules for Writers, I pretty much completely revolutionized how I was going about getting to my goal of making a living at writing fiction.

So… Clarions.  Should I apply? On the one hand, I imagine I’d have a blast and learn a ton.  On the other, can I get in? Or afford to go if I did? And, strangely enough, can I afford to take 6 weeks out of my writing schedule to focus on workshop stuffs?  I know they write a story a week at the workshops, but frankly, for me, that’s really not an issue, even with additional work like reading on top of it I’m pretty sure I could keep that pace without blinking.  But could I keep up my novel/novella/shorts schedule during Clarion/CW if I got in?

I don’t know. I don’t actually write nearly as well, especially on longer works, when I don’t have the comfort and stability of my home schedule and daily routines.  I can make myself get some work done, but not with the focus I have at home.  And I’m sure that between hanging out with fellow writers, doing the workshop stuffs, and the various functions and parties etc… I’d be pretty socially drained and low energy, which is not a productive state for me.

So if a) I did get in and b) could afford to go, then the question I’d have to consider would be is it worth losing potentially an entire novel’s worth of writing production?  I realize I’d come out of the workshop with six short stories, though as to publishable state I can’t say.  I hope that if I went I’d be really pushing myself in terms of how I’m writing and what I’m writing about, which might render whatever I write as a do-over, but workshops should be about risk in my opinion.  No point going to learn something and not really pushing yourself to stretch out of comfort zones.

So yeah, that’s basically what’s going on in my head now.  The line-ups for teachers looks very awesome, but between money and time lost, I just don’t know if the workshop would be worth it at this point.

Things to think about.  Fortunately, I have time.  I probably won’t make final decision until Feb 2011.  By then, if I’m remotely on target, I’ll have five novels being shopped to trad. publishers, book one of my e-book series out, and at least 40 shorts circulating (unless editors buy more/all of them..nudge nudge universe).  So I’ll see where I’m at.

Anyone else thinking about applying? Anyone who reads this been to one of the Clarions? What were your experiences?

(And, of course, there is always Odyssey as well, which I’ve heard lovely things about from both the woman who runs it and writers who have attended.  So much to consider. Meep.)

Sale Sale Sale Sale

I sold another story.  To a pro-paying magazine.  Details to follow once contracts are all worked out etc…  But man, it’s nice to have a sale.

Follow Heinlein’s Rules for Writers. It pays off.  Seriously.  I almost trunked this story due to thinking that the content might make it too hard to sell.  Ha! I was so wrong.  Good thing I ignored that stupid inner demon voice, eh?

So yeah, I have to go dance on a couple more rooftops. Then, I really should finish this novel.

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